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For years I had felt that PRS guitars were the best guitars on the market.
So I decided to start a company that specialized entirely in Pre 1995 Paul Reed Smith Guitars.
The fingerboard was bound rosewood with 22 frets, and the mahogany neck sported the company’s Pattern profile, which is essentially a beefy D shape (as opposed to a chubbier C or U profile).
Controls include master Volume and Tone and a three-way pickup selector.
We should mention that the Mc Carty, like many PRS solidbodies, has the Volume knob in just about the perfect location for volume swells – it’s always a pleasure to pick up a PRS and find the volume in easy pinky-grabbing range. Unlike a fair number of solidbodies with humbuckers, the pairing of materials, pickups, and design yield a level of sonic clarity that tone connoisseurs will appreciate.
The 58/15 humbucker tones are full, fat, and flavorful, but without any kind of mud, while the coil-tapped sounds deliver a convincing single-coil twang.
Strum a few chords and listen to the big chime of the notes.
You could confidently play any gig, soup to nuts, with this axe. S.-made PRS guitars, superb construction and little details catch the eye, including a satin rosewood veneer on the headstock that’s inlaid with Paul Smith’s signature.